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Oprah Book Club® Selection, September 2000: For 19th-century novelists--from Jane Austen to George Eliot, Flaubert to Henry James--social constraint gave a delicious tension for their plots. Yet now our relaxed morals and social mobility have rendered many in the classics untenable. Why shouldn't Maisie know what she knows? It'll all come outside in family therapy anyway. The vogue for historical novels depends simply on our pleasure in reentering a world of subtle cues and repressed emotion, a period where a young woman could destroy her life by saying yes on the wrong man. After all, there were no reliable birth control, no divorce, no chance of the independent life or possibly a scandal-free separation.
Christina Schwarz's suspenseful debut pivots on two in the lost "virtues" from the past: silence and stoicism. Drowning Ruth opens in 1919, on the heels in the influenza epidemic that followed the First World War. Although there were telephones and motor cars and dance halls within the small towns of Wisconsin in those years, the townspeople remained rigid and forbidding. As a new woman, Amanda Starkey, a Lutheran farmer's daughter, have been firmly discouraged from an inappropriate marriage which has a neighboring Catholic boy. A couple of years later, being a nurse in Milwaukee, she is seduced by strategy for a dishonorable man. Her shame sends her right into a nervous breakdown, and she or he returns towards the family farm. Within a year, though, her beloved sister Mathilde drowns under mysterious circumstances. And when Mathilde's husband, Carl, returns from your war, he finds his small daughter, Ruth, in Amanda's tenacious grip, and she will simply tell him nothing concerning the night his wife drowned. Amanda's parents, too, are long gone. "I killed my parents. Had I mentioned that?" muses Amanda.
I killed them because I felt a little fatigued and suffered from the slight, persistent cough. Thinking I used to be overworked and hadn't been getting enough sleep, I went home for a short visit, just a few days to wind down in the country while the sweet corn and also the raspberries were ripe. From town I brought fancy ribbon, two boxes of Ambrosia chocolate, and a deadly gift... I gave the influenza to my mother, who gave it to my father, or maybe it absolutely was the other way around.
Schwarz is a skillful writer, weaving her grim tale across several decades, always returning to the fateful evening of Mathilde's death. Drowning Ruth displays her gift for pacing and her harsh insistence for the right ending, rather than the cheery one. --Regina Marler --This text refers towards the Hardcover edition.
“Gripping . . . A story of deep family rivalries . . . A remarkable debut.”
–The The big apple Times Book Review
“COMPELLING . . .The immediately impressive thing about Drowning Ruth is not the author’s talent, though that's apparent within the first few pages, though the ambitious narrative scheme she’s devised to let her know tale.”
–San Francisco Examiner & Chronicle
“Schwarz pays meticulous focus on her characters. . . . Drowning Ruth offers tender gifts–the shore, the lake, the island, all keeping their own mysteries.”
–The Washington Post Book World
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